In Home Violin Lessons

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I am thrilled that you and your child have chosen to explore learning the violin with me! I would like to take this opportunity to share with you some of the basic foundations of learning the violin, what is to be expected during lessons, and to answer some of your questions.

Is violin right for my child?

The violin is a very special and unique instrument; it has a unique “voice” and is admired by people all over the world for the beautiful sounds it can produce. As your child is making the commitment to learn the violin, it is important for each parent and child to be aware that unlike other instruments of choice, the violin requires special focus and detailed technique in order to learn how to manipulate the instrument, eventually producing the beautiful sounds for which it is known. If your child is able to display focus to detail, strong fine motor skills, and is eager to follow directions and learn with patience, the violin may be a suitable choice for him or her! As your child’s violin teacher, I consider it a privilege to teach what I have learned over the years as well as share my love for this special instrument. I take this commitment very seriously.

What is your method of teaching violin?

My experience with learning and teaching the violin has been built around proper left hand and bow technique, rhythmic, tonal, and intonation accuracy, musicality, ear training, and sight-reading using The Suzuki Method. I do my best to teach in a fun and nurturing way while encouraging and inspiring my students with excitement, energy, and passion.

All beginning students (Pre-Twinkle students), will become “experts” on the mechanics and basics of the violin by learning to practice with a small cardboard box violin which we build together in our first lesson. The rental of a small violin is delayed until the child is ready for the wooden instrument. To see a list of Pre-Twinkle skills, please click here!

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Upon graduation from the box instrument to the real violin, students continue to focus on simple melodies and rhythms that prepare them to learn from the Suzuki Method Vol. 1 Book 1 Revised Edition.  I have found that using the series called Step by Step: An Introduction for Successful Practice for Violin (Book & CD)  by Kerstin Wartberg to be incredibly helpful and enjoyable for students and parents.  Our journey into this book begins with the 5 variations on “Twinkle, Twinkle Little Star”. This allows time to focus on the basic mechanics of playing the violin while learning rhythms from more advanced literature in units small enough for a beginner to grasp at a steady pace. Melodies will be learned by ear and through rote memorization.

What about reading music?

Following mastery of the “Twinkle” and much of Book I, students will begin to learn note reading and rhythms for the violin using A Tune a Day: Violin: Book 1  by C. Paul Herfurth and Winning Rhythms by Edward Ayola.   These courses are carefully designed to teach students each note on the musical staff and its correlation on the violin plus rhythmic studies. Reading notes, rhythm, and other music theory elements are emphasized at this time.

Technique building exercises such as scales, finger and bow exercises, and many other musical subtleties will be implemented during the study of Book 1 and early Book 2. More advanced techniques including shifting and vibrato will also be implemented into the curriculum during late Book 2 and Book 3. Books such as Scales Plus for Violin!  by William Starr,  Scales for Young Violinists  by Barbara Barber, and  Introducing the Positions for Violin and others will be added to daily practice routines.

Review of previously learned material is also a general focus in each lesson, because it is important for each student to build a repertoire of melodies that can be played at any given time.

What is my role as the parent?  

From personal experience, and following the traditions of the Suzuki Method, I have found that it is paramount for the parent to be present in each lesson, especially if the child is under the age of 13. It is essential that each violin student have the encouragement and supervision of a parent during lessons and during home practice as the violin is a difficult instrument to master. It may seem like progress is slow in the beginning, but with a positive attitude, correct technique and good practice skills, diligence will be rewarded. Good note taking and observation during the lesson is paramount for a child’s success.

If my child is 4 years old or younger, can he or she take lessons?

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Because of the special focus needed to begin violin lessons, I would like to meet the parent and child in order to evaluate if the child is in fact ready for violin lessons. I often teach children as young as 3 years old and I, myself was a 2 1⁄2 year old beginner; therefore, I have witnessed and experienced the possibilities for small children to learn this instrument.

In Home Piano Lessons

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I am thrilled that you and your child have chosen to explore the piano with me!

Although I am a professional violinist, I love teaching children the joys of playing the piano.  Playing the piano has brought enrichment to my own life and I believe it is the best foundational instrument for any new musician. It is the perfect instrument for most children because it delivers satisfaction through beautiful sounds right from the start. 

Playing the piano provides instant gratification and technique building that helps in transitioning to other instruments in the future.  In fact, at the collegiate level, music majors take courses in piano throughout their studies as a requirement for earning their degree. Instrumentalists of all kinds use the piano to bring depth and perspective to music theory, enhance ear-training, and to compose. Piano truly is a foundational instrument!  

I enjoy teaching piano using the Piano Adventures series by Faber & Faber.  I have used many different method books to teach piano throughout the years and the Piano Adventures series teaches children to use fingers on all different notes rather than getting stuck in one position.  The music is fun and goes at a steady pace. Incorporating music theory and technique into piano lessons is also important. Students also use the accompanying Piano Adventures books for theory and technique.   Piano students learn major and minor Scales in 1, 2, and 3 octaves, arpeggios, chords, as well as the traditional Hanon Piano Finger Excersises.

My piano students quickly learn to listen for the piano in popular songs they hear on the radio, which inspires them greatly!  My piano students are allowed to choose popular songs to incorporate into the steady stream of traditional piano repertoire that builds their appreciation for great piano music and skills for beautiful technique.


The list below is not a list of prerequisites.  Each will be worked on while your child is a music student. However, if your child is already displaying some of these qualities, wonderful! As they say, “If the shoe fits, then wear it!”

Choose piano if…

  • Your child shows interest and is drawn to playing the piano in your home

  • Your child enjoys and takes notice of the sounds of the piano on the radio or in live settings

  • Your child would like to play an instrument in the school band or orchestra later in life

  • You’d like to challenge your child to concentrate and focus

  • Your child enjoys puzzles, brain-teaser games, patterns, mathematics, reading

  • Your child is a creative thinker

  • Your child is comfortable interacting with adults in a one-on-one setting 

  • Your child wants to sing along to piano songs

Performance Background

Shannon was born and raised in Tulsa, Oklahoma, where she began her musical studies in violin at the Oral Roberts University Suzuki School in 1986 at the age of 2½ . She is the youngest student ever to have studied at the school. Her primary teachers included Marilyn George, Linnea Geroge, Sherri Scales-Neubauer, and Maureen O’Boyle. Private piano lessons were a part of her musical studies beginning at the age of 7 and continued throughout college. During student years, she held positions as Concertmistress (First Chair) of several prestigious symphony orchestras and chamber music groups including the Oklahoma All State Orchestra, Oklahoma Summer Arts Institute Orchestra, Tulsa Youth Symphony Orchestra, The Arkansas Regional Chamber Orchestra, Arioso String Trio, and played professionally with members of the Tulsa Philharmonic Orchestra as a part of Greg Lynch Strings. Following her high school graduation in 2001, Shannon was selected through audition into the highly competitive National Symphony Summer Youth Orchestra at the Kennedy Center in Washington D.C.

In the Fall of 2001, Shannon began her studies at Baylor University. While there, she studied violin with Dr. Eka Gogichashvili and performed with Baylor University Symphony Orchestra and Waco Symphony Orchestra. Shannon also developed her improvisation skills on the violin at Antioch Community Church. In 2002, she was chosen as one of two young violinist interns to play alongside renowned orchestral professionals from major symphony orchestras around the world who comprise Eastern Symphony Orchestra at Eastern Music Festival in Greensboro, N.C. Initially majoring in Violin Performance and Pedagogy, she completed her degree in International Studies with a minor in music in 2006. Connecting her International Studies degree and her love of music, Shannon has traveled abroad sharing the international language of music in Turkey, Mexico, Czech Republic, France, England, Wales and Israel.

Following her time at Baylor University, Shannon began performing professionally in Texas. In 2007- 2008, was when Shannon learned to play fiddle style violin and became a stage performer at Gilley's Dallas as a member of the House Band - Chris Rivers Band. Shannon was the original fiddler for the pop-country band Breaking Southwest from 2010-2014.

During this time, she appeared in music videos, commercials, live televised events, radio, and morning news shows.

Teaching Background

A student of The Suzuki Method since the age of 2½ years old, Shannon carries a unique perspective of the method from her personal experience as well as from training alongside her primary violin teachers in Tulsa, Oklahoma at the Oral Roberts University Suzuki School.  

Shannon relocated to Texas in 2001 to attend Baylor University while she continued teaching violin, viola and Suzuki Strings group classes. She continued to study the Suzuki Method with Dr. Julia Hardie in Waco, Texas at Central Texas Suzuki Academy. Shannon has taught private music lessons for Lifesong Studio, HEB-ISD Suzuki Strings, and is a frequently requested substitute teacher at Dallas Academy of Music & Fine Arts.  

Shannon’s unique teaching style and rapport with children allow her to maintain a private lesson music studio of her own; year-round she is committed to 25-30 private violin and piano students each week. Shannon is a member of The Suzuki Association of the Americas and North Texas Suzuki Association.

Through the years, many of Shannon’s students have become successful members and leaders of student orchestras including all five levels of the Greater Dallas Youth Orchestras as well as all four of the Fort Worth Youth Orchestras, the Central Junior High Orchestra, L.D. Bell High School Orchestra and Austin College Chamber Orchestra.